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They were something to behold, all chatting away while soldering so quickly, it didn't hardly seem like they were looking at the amps.After that the foreman would add the tubes, turn 'em on and set the bias.” Export models – We’ve confirmed that Fender amps were distributed by Hagstrm in Sweden.There is some debate about how to interpret the production code information on late ‘50s to mid-1967 tube charts and Greg Huntington is still working with those.One thing we know for sure is that production codes can help date an amp to a particular month within a given model run. Oddlings – Yet another printing error has surfaced, this time from the FEI (pre-CBS) days.
I have to wonder how often Fender used the SPEC check box and what features a “special” amp or cabinet would have?!
He recalled, “We just went to a big bin every morning and loaded our wheeled rack with a batch of whatever chassis we were working on that day.
The boss came around and said what we'd be building. Probably the same as the pots and transformers that we just dug out of the boxes.
Also note the vertical black lines on the control panel (found on earliest silverface amps) and the large ceramic power resistors coming off the power tube sockets which indicates the AB568 circuit. But really, these cabs were large because they were of a “special design” that “greatly improves tone and volume without distortion, and permits optimum performance of the speakers.” At least that’s the reason according to the ’69 catalog.
Also, another thing I’ve never seen before is a what appears to be a shipping tag of some sort (see photo).